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Educator

As a professor, my goal is to teach students that representation exists within specific cultural contexts and therefore contains ideological arguments. I strive to create a learning environment where students of all backgrounds feel safe, supported, and able to grow. I begin most courses by collaborating on a course charter to establish the climate of the classroom space and community. I take the fear out of encountering new perspectives by modeling clear and respectful communication.  

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I understand that learning to interpret representation and learning to write are challenging, so I design stepping-stone exercises for my students and clearly articulate my expectations for each stage. Since I believe mastery of any topic is a life-long skill, I craft assessment tools—writing assignments, presentations, projects—that provide space for them to grapple with the meaning and application of the material. Furthermore, I create and share plain-language rubrics for all aspects of class—including class discussion—so students understand how they are being assessed. I also engage in upgrading, specifications grading, and labor-based grading in many of my courses to emphasize growth and learning over assessment.   

           

By practicing clear communication, scaffolding learning, and engaging diverse voices, I provide my students with a catalog of learning techniques and a space to try each one. The broader goal in doing so is to shape students who are compassionate about others, sensitive to perspectives beyond their own, and intelligent in their choices both onstage and off.   

Selected Teaching

2023

Northwestern University

English 105: Podcasts as Storytelling

Course introducing students to narrative theory and structure and storytelling scholarship so that students can analyze various podcasts. Students write research papers about podcasts and create a podcast of their own.

2020-23

Northwestern University

English 105: The Legacy of Race in United States

Hybrid course introducing students to scholarly inquiry, processes, research, and writing; and the content introduces students to critical race theory and US history. Materials include Kimberlé Crenshaw’s Intersectionality TEDTalk, Alice Walker’s “Elethia,” Ibram Kendi’s Stamped from the Beginning, and Ijeoma Oluo’s So You Want to Talk about Race, among others.

2022

Northwestern University

English 305: Advanced Composition: Writing about What you do Well

Writing intensive course catering to students' activities and interests. Students learn to write reviews; conduct and code ethnographic interviews and create interview transcripts; create statements of purpose, artist statements, and autobiography.

2019-23

Northwestern University

English 282: Writing and Speaking in Business

Course introducing students to email, memo, and report writing in business contexts. Course also teaches students skills in public speaking, teamwork, data visualization, making websites and social media campaigns, and giving presentations.

2019-23

Northwestern University

English 106: Writing in Special Contexts: Design Thinking and Communication 1 and 2

Co-taught with an instructor in McCormick School of Engineering, course introducing engineering students to the design thinking process and technical writing.

2019

Northwestern University

English 105: Stories from Diverse America

Hybrid course introducing students to scholarly inquiry, processes, research, and writing; and the content introduces students to the theory of otherness, critical race theory, gender and sexuality theory, and disability studies. Works of literature included: “Elethia” (Alice Walker), “Only Approved Indians Can Play Made in the USA” (Jack Forbes), Fun Home (Alison Bechdel), “Negocios” (Junot Diaz).

2017-9

US Naval Academy

English 301: Theatre History II: From Hamlet to Hamilton

Seminar on the periods, styles, and performance texts of theatre history, starting with classical Greece and ending with modern Broadway musicals, with special emphasis on historiography, dramaturgy and adaptation, and representation of race and gender. 

2017-9

US Naval Academy

English 111 and 112: Rhetoric and Intro to Lit: Stories from the “Other” America 1 and 2

Hybrid course on learning how to conduct research and write a scholarly paper. Introduces students to nationalism, citizenship, Otherness, gender, and critical race theories. Works of literature included A Raisin in the Sun, The Laramie Project, Fun Home, Invisible Man, The Sympathizer, and The House on Mango Street, among others.

2018

US Naval Academy

English 462: Blackface, Yellowface, and Redface in American Literature and Culture

Capstone course engaging students in theories of race, representation, and performance, and investigating American cultural history—from playing Indian to blackface minstrelsy, from vaudeville ethnic troupes to contemporary Hollywood portrayals—to understand the place of racial imitation. Novels included: The Last of the Mohicans, Uncle Tom’s Cabin, and East of Eden.

2016-7

US Naval Academy

English 111 and 112: Rhetoric and Intro to Lit: “Immigrant Stories” 1 and 2    

Hybrid course on learning how to conduct research and write a scholarly paper, and introducing students to structures and themes of nationalism, citizenship, and immigration.

2016

Northwestern University

English 339: Material Shakespeare

Seminar on the way Shakespeare plays were living, breathing art works engaging Renaissance and later period ideas of race, gender, health and medicine, and the human body.​

2016

Northwestern University

Theatre/Gender Studies 372: Women and Femininity in Performance

Seminar on gender and performance theory applied to canonical plays, concert dance, and performance art.

2015

Northwestern University

Gender Studies 361: Sexuality & Shakespeare

Seminar on the construction of sexuality, gender, romance, and eroticism in Shakespearean plays and performances.​

2015

Northwestern University

Theatre 140-2: Theatre in Context 2: Shakespeare's Women

Hybrid course on learning how to conduct research and write a scholarly paper, and introducing students to feminist theory and Shakespeare’s comedic female protagonists.

2014

Northwestern University

Theatre 366: Special Topics in Theatre: August Wilson

Seminar exploring the historical context and contemporary resonances of all ten of Wilson’s Pittsburgh Cycle plays, while considering critical race theory, diaspora, and embodiment.

2014

Northwestern University

Theatre 140-2: Theatre in Context 2: Women in Theatre

Hybrid course on learning to conduct research and write a scholarly paper, and introducing students to feminist theory and the 20th-century American dramatic canon.

2005

Wilbur Wright College

Theatre 129: Introduction to Theatre History

General education course introducing students to play analysis, theatre history, directing, design, and acting.

2003

Illinois State University

Theatre 100: Introduction to Dramatic Literature

Lecture and Seminar introducing first semester freshman theatre majors to script analysis and theatre history.

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