Theatre Historian and Author
I am fascinated by the way theatre and performance provide a sense of identity. My scholarly writing has been widely published in books, journals, and magazines. Below you will find a sampling of my published work.
While I enjoy writing about theatre and identity primarily, I am also proud to be the co-author with Edwin Wilson and Alvin Goldfarb of 3 bestselling theater textbooks:
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Theatre: The Lively Art, an introduction to theatre textbook published by McGraw Hill
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Theatre Experience, an abridged introduction to theatre textbook published by McGraw Hill
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Living Theatre: History of Global Theatres, a theatre history textbook published by Norton
Textbooks

For the 2024 release, contributed to chapter 6 (scene design), chapter 8 (light, projection, and sound design), and chapter 16 (Today's Diverse and Global Theatre).

For the 8th edition, co-authored book with new sections on African, Eastern Empire, Americas, and other global theatre history.

Anthologies I created

Co-editor of book
Co-wrote the introduction and epilogue.
Solo authored a chapter on the history of the Goodman Theatre.

Co-editor of book
Co-wrote the introduction.
Co-authored a chapter on Irish playwright Brendan Behan.
Anthologies I contributed to


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Wilson chapter title forthcoming
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Hamilton chapter title forthcoming
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"Immigrant Civic Performances and Historical Pageantry: Columbus Day in Chicago, 1892-1913"
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"Building a Movement: Mary Reynolds Aldis and Little Theatre in Chicago"
Journal articles

Book Reviews
Steppenwolf Theatre Company of Chicago: In their own words by John Mayer published in NTQ
Making Mexican Chicago: From Postwar Settlement to the Age of Gentrification by Mike Amezcua. Published in Society for U.S. Intellectual History.

Chapter about the history of Irish dance for Dancing on the Third Coast book





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